- Synchronicity II by Queensryche. This song is taken from their 2007 album of cover tunes. The Police classic is a bit harder edge in keeping with their metal roots, but of all the Police songs, this is one that fits a metal band very well. The guitar work on this song is brilliant and the deeper bass of Geoff Tate deftly replaces Sting's vocal range.
- I'm Bad by The Last Vegas. Straight forward rock and roll with a metal edge. The chorus rocked me when I first heard the song, but when you listen to the lyrics, you can get a sense that these are not one-dimensional rockers.
- The High Road by The Broken Bells. I love bands that put some thought into their lyrics and they certainly did, but I was torn about including this song because I am not a fan of the instrumentation and arrangement, but it is a solid song from a band that is on the right path musically.
- Caravan by Rush. I have been a Rush fan for, well, decades. Geddy Lee's singing has matured, Neil Peart can still write the lyrics and Alex Lifson can still make a guitar sing. Into their fourth decade of music making and the Canadian trio can still deliver. Not their best song ever, but a very good song.
- Behind the Sun by Living Colour. Vernon Reid and the boys certainly deliver on this disk. This song stands out a bit more for me because of the guitar riff, which is much cleaner than you often hear from Reid, whose work with Living Colour is often more gravelly. The melody as sung by Corey Glover delivers as well.
- Around My Head by Cage the Elephant. A retro-punk feel to the music and lyric delivery appeal to me This song is courtesy of the iTunes free download recently. The song is growing more on me by the listen.
- All I Want by A Day to Remember. The band sounds a bit familiar, kind of like early Offspring with a little less quirkiness. The riff is basic, the drums solid and the melody a little catchy. They may not fully take off, but A Day to Remember has put together a solid effort.
- Run Back To Your Side by Eric Clapton. The greatness that is Clapton and his blues infused rock is apparent. He has been doing this so long, it is hard to believe that he can still be so fresh in his work.
- Strong Medicine by Patty Reese. Reese appeared at a free outdoor show at my wife's theater and I was immediately impressed. Reese brings the blues somewhat like Bonnie Raitt, but without the heavy guitar.
- Don't Stop the Music by Jamie Cullum. If you like your jazz with great lyrics and a fun time apparent in the music, then Cullum is your guy. The chorus is brilliant and the musicianship classy. Cullum is crossing a little into the pop side of music and this song will show you why.
- Littleworth Lane by Joe Satriani. Satriani is by far one of my favorite artists (I think one of his songs has appeared in just about everyone one of my weekly playlists). On his latest album, Black Swans and Wormhole Wizards, he has really expanded his repetoire of genres and this song is blues guitar through and through. The song doesn't try to overwhelm you with a flurry of notes and that is teh appeal because blues guitar doesn't either.
- Take Off the Blues by the Foreign Exchange (feat. Darien Brockington), another iTunes freebie but this song took a while to grow on me. The groove is mellow and the feel melodic. The lyrics are decent but I think it is the rather basic musicianship that bothered me most. Not quite a guilty pleasure, but pleasurable nonetheless.
- Bulletproof by La Roux. Dance music is not my thing, as I like something more than just a peppy beat or simple lyrics. But the lyrical quality in this song is truly solid, although La Roux's voice is a little to bright for the song, but I like the melody and the beat is accomplished not through heavy bass, but by the crafty use of synthesizers.
- Love is Dead by The Lovemakers. A surprisingly up tempo song for such a dreary topic. A duet that melds the two voices together well.
- Animal by Neon Trees. A stripped down basic beat song with a brilliant melody laid down on top without a lot of flash and over the top arrangement. The lyrics are not a good as I think they could be, but that is simple a personal taste.
- Think Like a Man by Orianthi. I am a big fan of this woman (maybe it is the guitar or the Aussie accent or both). While her guitar work is good, this song definitely shows some songwriting chops and a bit of sardonic side as well.
- Trinity by Paper Tongues. The melody caught my attention immediately on hearing this song. A mesmerizing cycle backed by a chorus that emphasizes rather than clashes with the stanzas by keeping the same kind of familiar melody in place.
- Keep on Lovin' You by Steel Magnolia. Although I have gotten much more country over the past year, this song resonated a bit more than others. A solid song with a terrific duet, more of a rock beat that most country. Although to be fair, country is not a label that really fits this band.
- Represent by Weezer. The unofficial anthem of the U.S. Men's National Team written for the World Cup in South Africa by Rivers Cuomo, I can see the Jonathan Bornstein goal in my head from the lead-in clip and a personal little highlight reel in my head.
- Maybe by Sick Puppies. An inspirational song wrapped in solid rock music, an odd band name and brilliantly delivered. I just love this song.
Showing posts with label music. Show all posts
Showing posts with label music. Show all posts
Tuesday, January 18, 2011
This Week's Playlist
Not that I am casting about for a theme for each week, but I try to have something that links the songs together. This week, I pulled out the common theme of music I discovered or found in 2010. That is not to say that every song was released in 2010 (although a majority of them are), but it is music that I got in 2010. Some of these songs come from the Free Weekly download from iTunes (which I very much encourage). Most of the stuff on the free download is pretty mainstream, but still worth the fact that some are duds (to me) and some are hidden little gems that I might not have discovered otherwise.
Tuesday, January 11, 2011
This Week's Playlist
This week, I decided to go with some instrumentals this week. I had a few problems because I told myself that I would select no more than two songs from any one artists (I don't have as much instrumental only music). But by the same token, it opens up some other genres that I have been moving into a bit more. So enjoy this list.
"Storm" by Vanessa Mae. A violin virtuoso who plays regular classical and crossover classical on different albums. This song is a crossover that is pretty solid musically.
"Acoustic Curves" by Animusic. Saw this song and video on PBS a few years ago and was enthralled. This is not animation set to music, it is music that drives the animation. Check them out here.
"Vein Melter" by Herbie Hancock. What can you say about the man and the album ("Headhunters") that changed the face and sound of jazz. Mellow groove and brilliant writing.
"Flatbush and Church Revisited" by Vernon Reid & Masque. Living Colour's guitarist Reid's "side project" shows that Reid is not just about the gravelly guitar work that made Living Colour great, but that he can play with so many different styles. This song is brilliant, clean and demonstrates that that Reid is one of the most underrated guitarists around.
"Kashmir" by Bond. Say what you will about Bond, a manufactuered classical string quartet who makes dance music (and look good while doing it), any classical quartet that takes on a Led Zeppelin classic is brilliant.
"Baluchitherium" by Van Halen. Most Van Halen instrumentals are usually Eddie Van Halen and his guitar but this one is definitely a song to hear. Eddie is brilliant on the guitar and the rhythm section of Alex Van Halen and Michael Anthony show why they are among the best.
"Zap (Live)" by Eric Johnson. Unless you follow guitarists, you might not know about Johnson, but his guitar work is distinclty influenced by his Texas roots and is certainly clean. This live cut is from a tour he did with Joe Satriani and Steve Vai.
"Wormhole Wizards" by Joe Satriani. This is my favorite track from Satriani's most recent album, Black Swans and Wormhole Wizards. This is classic Satriani, a song with great guitar work, but the album is working in other instruments a bit more.
"Reel Around the Sun" by 12 Girls Band. This group of 13 women (only 12 are on stage at one time) playing traditional Chinese instruments take on a classic song from "Riverdance" and make it work so well.
"Answers (Live)" by Steve Vai. One of the most creative and ambitious guitarists around, Vai makes one of his older songs very fresh in a live setting.
"YYZ (Live)" by Rush. Behind Neal Peart's lyrics, it might be hard to forget that the Canadian trio are also fantastic musicians. This instrumental from "Moving Pictures" really solidified my liking of the band (which got better as Geddy Lee stopped trying to shout/sing and just sing in a more natural range for him).
"Highly Strung" by Orianthi. Steve Vai makes another appearance on this list, teaming with the young Australian woman who has impressed Vai, Carlos Santana and Michael Jackson (Orianthi was hired to be Jackson's guitarist on the King of Pop's tour that didn't happen). Technically sound, lots of fun and proves that Orianthi is not just a hot guitarist, but a guitarist who happens to be hot (and can sing).
"Banana Mango 2" by Joe Satriani. This is my second cut from Satriani (of my limit of two). This piece includes some really fun rhythm and drums in addition to some brilliant technique from Satriani.
"Fuego" by Bond. I love this song and like the Spanish influence.
"Cathedral" by Van Halen. A short technique piece from Van Halen that sounds much more like a viola or cello than a guitar.
"Pipe Dream" by Animusic. A much more rhythm/drums piece that if someone could do it live with vibraphones, xylophones and other percussion would be absolutely brilliant.
"Doll" by Keiko Matsui. Another jazz entry, I heard this song at the movie theater in the pre-show entertainment. I thought it a fantastic piece and got me interested in Mastui. There are many other much better songs by Matsui, but I will never forget this one.
"Lily Was Here (DNA Remix" by Candy Dulfer. I love the interplay of saxophone and guitar in this jazz piece.
"Home Blues" by The 5 Browns. This classical piece contains a guest appearance by Chris Botti and just mesmerizes me. I just love this piece.
"Storm" by Vanessa Mae. A violin virtuoso who plays regular classical and crossover classical on different albums. This song is a crossover that is pretty solid musically.
"Acoustic Curves" by Animusic. Saw this song and video on PBS a few years ago and was enthralled. This is not animation set to music, it is music that drives the animation. Check them out here.
"Vein Melter" by Herbie Hancock. What can you say about the man and the album ("Headhunters") that changed the face and sound of jazz. Mellow groove and brilliant writing.
"Flatbush and Church Revisited" by Vernon Reid & Masque. Living Colour's guitarist Reid's "side project" shows that Reid is not just about the gravelly guitar work that made Living Colour great, but that he can play with so many different styles. This song is brilliant, clean and demonstrates that that Reid is one of the most underrated guitarists around.
"Kashmir" by Bond. Say what you will about Bond, a manufactuered classical string quartet who makes dance music (and look good while doing it), any classical quartet that takes on a Led Zeppelin classic is brilliant.
"Baluchitherium" by Van Halen. Most Van Halen instrumentals are usually Eddie Van Halen and his guitar but this one is definitely a song to hear. Eddie is brilliant on the guitar and the rhythm section of Alex Van Halen and Michael Anthony show why they are among the best.
"Zap (Live)" by Eric Johnson. Unless you follow guitarists, you might not know about Johnson, but his guitar work is distinclty influenced by his Texas roots and is certainly clean. This live cut is from a tour he did with Joe Satriani and Steve Vai.
"Wormhole Wizards" by Joe Satriani. This is my favorite track from Satriani's most recent album, Black Swans and Wormhole Wizards. This is classic Satriani, a song with great guitar work, but the album is working in other instruments a bit more.
"Reel Around the Sun" by 12 Girls Band. This group of 13 women (only 12 are on stage at one time) playing traditional Chinese instruments take on a classic song from "Riverdance" and make it work so well.
"Answers (Live)" by Steve Vai. One of the most creative and ambitious guitarists around, Vai makes one of his older songs very fresh in a live setting.
"YYZ (Live)" by Rush. Behind Neal Peart's lyrics, it might be hard to forget that the Canadian trio are also fantastic musicians. This instrumental from "Moving Pictures" really solidified my liking of the band (which got better as Geddy Lee stopped trying to shout/sing and just sing in a more natural range for him).
"Highly Strung" by Orianthi. Steve Vai makes another appearance on this list, teaming with the young Australian woman who has impressed Vai, Carlos Santana and Michael Jackson (Orianthi was hired to be Jackson's guitarist on the King of Pop's tour that didn't happen). Technically sound, lots of fun and proves that Orianthi is not just a hot guitarist, but a guitarist who happens to be hot (and can sing).
"Banana Mango 2" by Joe Satriani. This is my second cut from Satriani (of my limit of two). This piece includes some really fun rhythm and drums in addition to some brilliant technique from Satriani.
"Fuego" by Bond. I love this song and like the Spanish influence.
"Cathedral" by Van Halen. A short technique piece from Van Halen that sounds much more like a viola or cello than a guitar.
"Pipe Dream" by Animusic. A much more rhythm/drums piece that if someone could do it live with vibraphones, xylophones and other percussion would be absolutely brilliant.
"Doll" by Keiko Matsui. Another jazz entry, I heard this song at the movie theater in the pre-show entertainment. I thought it a fantastic piece and got me interested in Mastui. There are many other much better songs by Matsui, but I will never forget this one.
"Lily Was Here (DNA Remix" by Candy Dulfer. I love the interplay of saxophone and guitar in this jazz piece.
"Home Blues" by The 5 Browns. This classical piece contains a guest appearance by Chris Botti and just mesmerizes me. I just love this piece.
Tuesday, January 04, 2011
This Week's Playlist
This week's playlist features songs with lyrics that I love or have a turn of phrase that for some reason simply resonates with me. So with each song, I have put in one lyric (which may be one of many in the song) that just worked its way into my head.
- "Tears of Yesterday" by Hoobastank: "I write your name in my breath on the window, sit and watch as it fades away."
- "Citizen Soldier" by 3 Doors Down: "For when they simply need a place to make their bed/right here underneath my wing you can rest your head."
- "I'm Not Running Anymore by John Mellencamp: "Well I got two circus clowns who like to fight/they've got one black eye and a bloody nose. They are the hoodlums of my third wife/whatever I say they will oppose."
- "Scenes from an Italian Restaurant by Billy Joel: "And the king and the queen went back to the Green but you can never go back there again."
- "The Devil Went Down to Georgia" by the Charlie Daniels Band: "My name is Johnny and it might be a sin, but I'll take your bet, you're gonna regret cause I'm the best that's ever been"
- "Mine All Mine" by Van Halen. "Some only see what they want to see, claiming victory oh but that's not me. Gimme a truth, gimme something real. I just wanna feel that it's mine, all mine."
- "This is My Song" by Carbonleaf. "My name is Hope, Luck just ran out. He said he'd return without a doubt, ah but don't you believe him. Oh I happen to have a message from Love, she told she knows what you've been dreaming of."
- "Grey Street" by Dave Matthews Band. "There's a stranger who speaks outside her door, says 'Take what you can from your dreams, make them as real as anything. Ohh, it'll take the work out of the courage.'"
- "Hysteria" by Def Leppard. "When you get that feeling, when you start believing."
- "Bobby Jean" by Bruce Springsteen: "You'll hear me sing this song, if you do you'll know I'm thinking of you and all the miles in between. And I'm just calling one last time, not to change your mind, just to say I miss you babe, good luck, good bye, Bobby Jean."
- "If You Only Knew" by Shinedown: "I don't regret any days I spent, nights we shared or letters that we sent."
- "Twentysomething" by Jamie Cullum: "Who knows the answers, who do you trust. I can't even separate love from lust."
- "3x5" by John Mayer. "Didn't have a camera by my side this time, hoping I would see the world through both my eyes."
- "Nothingness" by Living Colour: "This is the place I call my own, I live with the lies and the fear all alone."
- "Solosbury Hill" by Peter Gabriel: "TOday I don't need a replacement, I tell them what the smile on my face meant, my heart going boom, boom, boom, "Hey," I said, "You can keep my things, they've come to take me home."
- "Time Stands Still" by Rush: "I turn my back to the wind, to catch my breath before I start off again/ Driven on without a moment to spend and pass the evening with a drink and a friend"
- "Home Again" by Queensryche. "For me it wasn't easy to raise the flag and leave, but I thought that you should know how much you mean to me. I won't be there to see you dance or hear you sing the songs we love, so please be strong, it won't be long till I'm home again."
- "The River" by Bruce Springsteen. "Is a dream a lie if it don't come true, or is it something worse?"
- "It's Probably Me" by Sting. "The jury's out, your eyes search the room but one friendly face is all you need to see. If there's one guy, just one guy who'll lay down his life for you and die, its hard to say, I hate to say it, it's probably me."
- "Departure Bay" by Diana Krall: "The fading scent of summertime, arbutus trees and firs, the glistening of rain soaked moss, going to the Dairy Queen at dusk."
Thursday, December 30, 2010
This Week's Playlist
Final one for this year. Going to the rocking side of things:
1. "Honest Man" by The Gracious Few. Great new stuff by former Live and Candlebox.
2. "My Kinda Girl" by Chickenfoot. Another "supergroup" with Sammy Hagar and Michael Anthony from Van Halen, Red Hot Chili Peppers drummer Chad Smith and guitar virtuoso Joe Satriani. A basic, straightforward rock song very well executed.
3. "The High Road" by Broken Bells. This duo created one of my favorite songs of 2010.
4. "Hard to Handle" by The Black Crowes. I fell in love with this song when it first came out in 1990 from this Atlanta band.
5. "Shape I'm In" by Arc Angels. A little heralded bank, the Arc Angels put together a great album of core rhythmn and blues songs. This is as basic R&B as you can get.
6. "Dream On" by Aerosmith. Great song by great band. Enough said.
7. "Bringin on the Heartbreak" by Def Leppard. The early song that established this Sheffield band as the soundtrack of my middle and high school years.
8. "Run Back to Your Side" by Eric Clapton. Eric Clapton's latest single gets back to his famous roots.
9. "This Ain't A Scene, It's An Arms Race" by Fall Out Boy. Great writing, well played and and fantastic hook.
10. "High" by Jimmie's Chicken Shack. From Annapolis Maryland, this band got some early play on MTV but have pushed on. This was their first really big hit and still gets me pumped up.
11. "I Just Wanna Rock" by Joe Satriani. One of my favorite artists ever, this is not one of Satch's best songs, but it is a fun song and he does different things with his guitar in this song.
12. "I'm Bad" by The Last Vegas. With a 80/90's sound, and high quality musicianship, this song got me hooked on the Chicago fivesome.
13. "Back in Black" by Living Colour. One great band (ironically) covering one of the greatest rock songs ever. Brilliantly done and Vernon Reid rocks the solos.
14. "Holier Than Thou" by Metallica. My brother liked Metallica long before me, but the "black" album got me hooked. My Navy roommate and I played this CD until I thought we would burn it out.
15. "State of Love and Trust" by Pearl Jam. I got in to Pearl Jam thanks to a girl I knew in the Navy. This song is just encapsulates this band.
16. "Synchronicity II" by Queensryche. the "thinking man's metal band" covers the Police. Supremely well done.
17. "They Say" by Scars on Broadway. I was never a big fan of System of a Down, but this song by Scars was something that just struck me.
18. "Sin With a Grin" by Shinedown. One of my favorite new bands, and one of the best bands to come out of Jacksonville Florida since Lynyrd Skynyrd, they simply rock. This is one of their harder, faster songs, and I love the title.
19. "Riot Act" by Skid Row. A much older song by Skid Row, but off an album that, from first song to last, demonstrates that a band that a lot people simply didn't credit with much had some musical and songwriting chops.
20. "Black Rain" by Soundgarden. This band getting back together was good news. After a solo career and time with Audioslave, Chris Cornell shows that he still has the pipes and this song's hook just drew me in.
1. "Honest Man" by The Gracious Few. Great new stuff by former Live and Candlebox.
2. "My Kinda Girl" by Chickenfoot. Another "supergroup" with Sammy Hagar and Michael Anthony from Van Halen, Red Hot Chili Peppers drummer Chad Smith and guitar virtuoso Joe Satriani. A basic, straightforward rock song very well executed.
3. "The High Road" by Broken Bells. This duo created one of my favorite songs of 2010.
4. "Hard to Handle" by The Black Crowes. I fell in love with this song when it first came out in 1990 from this Atlanta band.
5. "Shape I'm In" by Arc Angels. A little heralded bank, the Arc Angels put together a great album of core rhythmn and blues songs. This is as basic R&B as you can get.
6. "Dream On" by Aerosmith. Great song by great band. Enough said.
7. "Bringin on the Heartbreak" by Def Leppard. The early song that established this Sheffield band as the soundtrack of my middle and high school years.
8. "Run Back to Your Side" by Eric Clapton. Eric Clapton's latest single gets back to his famous roots.
9. "This Ain't A Scene, It's An Arms Race" by Fall Out Boy. Great writing, well played and and fantastic hook.
10. "High" by Jimmie's Chicken Shack. From Annapolis Maryland, this band got some early play on MTV but have pushed on. This was their first really big hit and still gets me pumped up.
11. "I Just Wanna Rock" by Joe Satriani. One of my favorite artists ever, this is not one of Satch's best songs, but it is a fun song and he does different things with his guitar in this song.
12. "I'm Bad" by The Last Vegas. With a 80/90's sound, and high quality musicianship, this song got me hooked on the Chicago fivesome.
13. "Back in Black" by Living Colour. One great band (ironically) covering one of the greatest rock songs ever. Brilliantly done and Vernon Reid rocks the solos.
14. "Holier Than Thou" by Metallica. My brother liked Metallica long before me, but the "black" album got me hooked. My Navy roommate and I played this CD until I thought we would burn it out.
15. "State of Love and Trust" by Pearl Jam. I got in to Pearl Jam thanks to a girl I knew in the Navy. This song is just encapsulates this band.
16. "Synchronicity II" by Queensryche. the "thinking man's metal band" covers the Police. Supremely well done.
17. "They Say" by Scars on Broadway. I was never a big fan of System of a Down, but this song by Scars was something that just struck me.
18. "Sin With a Grin" by Shinedown. One of my favorite new bands, and one of the best bands to come out of Jacksonville Florida since Lynyrd Skynyrd, they simply rock. This is one of their harder, faster songs, and I love the title.
19. "Riot Act" by Skid Row. A much older song by Skid Row, but off an album that, from first song to last, demonstrates that a band that a lot people simply didn't credit with much had some musical and songwriting chops.
20. "Black Rain" by Soundgarden. This band getting back together was good news. After a solo career and time with Audioslave, Chris Cornell shows that he still has the pipes and this song's hook just drew me in.
Monday, December 20, 2010
Music This Week
I like to keep track of the music I am listening too (since I tend to delete playlists from my iTunes after a while). This week's playlist looks like this:
1. "War" by Bruce Springsteen
2. "True Reflections" by Dave Matthews Band
3. "Cliffs of Dover" by Eric Johnson
4. "Pretty Vegas" by INXS
5. "Wormhole Wizards" by Joe Satriani
6. "Escape" by Hoobastank
7. "Everlong" by Foo Fighters
8. "Think Like a Man" by Orianthi
9. "Hysteria" by Def Leppard
10. "Paloma" by Carbon Leaf
11. "Lily Was Here" by Candy Dulfer
12. "Hard to Handle" by The Black Crows
13. "My Kinda Lover" by Billy Squire
14. "Even Flow" by Pearl Jam
15. "Living in a Dream" by the Arc Angels
16. "Sweet Emotion" by Aerosmith
17. "Flirtin' With Disaster" by Molly Hatchet
18. "Time Stands Still" (Live Version) by Rush
19. "Just Wait" by Blues Traveler
20. "Home Again" by Queensryche
If you check any of these songs (some are quite old and some very new), let me know what you think.
1. "War" by Bruce Springsteen
2. "True Reflections" by Dave Matthews Band
3. "Cliffs of Dover" by Eric Johnson
4. "Pretty Vegas" by INXS
5. "Wormhole Wizards" by Joe Satriani
6. "Escape" by Hoobastank
7. "Everlong" by Foo Fighters
8. "Think Like a Man" by Orianthi
9. "Hysteria" by Def Leppard
10. "Paloma" by Carbon Leaf
11. "Lily Was Here" by Candy Dulfer
12. "Hard to Handle" by The Black Crows
13. "My Kinda Lover" by Billy Squire
14. "Even Flow" by Pearl Jam
15. "Living in a Dream" by the Arc Angels
16. "Sweet Emotion" by Aerosmith
17. "Flirtin' With Disaster" by Molly Hatchet
18. "Time Stands Still" (Live Version) by Rush
19. "Just Wait" by Blues Traveler
20. "Home Again" by Queensryche
If you check any of these songs (some are quite old and some very new), let me know what you think.
Tuesday, July 28, 2009
Previously Listened To:
This is a list of the CD's I have listened to and posted on this site. Over time, I hope to get my review of each disk posted. As this list is updated, I will be moving it to the top of the postings.
Updated 2/10/2009
Updated 2/10/2009
- OU812 by Van Halen
- Stain by Living Colour
- The Sound of Madness by Shinedown
- Into the Now by Tesla
- Coverdale-Page by David Coverdale and Jimmy Page
- Satriani Live by Joe Satriani
- Browns in Blue by The 5 Browns
- 12 Gardens (Live) by Billy Joel
- Introducing Joss Stone My Review
- Continuum by John Mayer
- Fore by Huey Lewis & The News
- Small World by Huey Lewis & The News
- Light Grenades by Incubus
- Hoobastank: Every Man for Himself My Review.
- Other True Self by Vernon Reid & Masque
- All The Right Reasons by Nickelback
- Super Colossal by Joe Satriani
- Us and Them by Shinedown My Review
- Listener Supported by The Dave Mathews Band My Review
- Headhunters by Herbie Hancock My Review
- Indian Summer by Carbon Leaf My Review
- Twentysomething by Jamie Cullum My Review
- Eastern Energy by Twelve Girls Band My Review
- Gorillaz: Demon Days My Review
- Dave Mathews Band: Stand Up My Review
- Return 2 Zero My Review
- Eldar My Review
- Bond: Classified My Review
- Carbon Leaf: Echo Echo My Review
- Living Colour: Collideoscope My Review
- Eric Johnson: Ah Via Musicom My Review
- Joe Satriani: Flying in a Blue Dream My Review
- The 5 Browns My Review
- John Mellencamp: Words & Music My Review
- 3 Doors Down: Seventeen Days My Review
- Diana Krall-The Girl in the Other Room My Review
- Vanessa-Mae: Storm My Review
- Los Lonely Boys My Review
Friday, June 06, 2008
June 6 Playlist
It has been a while since one of these posts, but here is what is on my primary playlist right now.
Reel Around the Sun by Twelve Girls Band--nothing like classical Chinese instrument playing women playing a classic Irish Tune. Close your eyes and you can see the Riverdancers. As usual, this is well done and neat to listen to.
Where the Streets Have No Name by U2--If the album War made them household names, the Joshua Tree vaulted U2 into the realm of one of the greatest bands ever. I loved this opening song on the CD then and I still do. I love the guitar work, particularly at the start but all throughout the song. The lyrics were solid and the muscianship is probably the best on the entire album populated with great songs.
Walk Tall by John Mellencamp--this was one of the original songs to appear on Words & Music and like many of Mellencamp's songs, carries a strong message. "The simple-minded and uninformed can easily be led astray...People believe what they want to believe when it makes no sense at all..." The music is much more simplified, stripped down to basics, which has a strong appeal given the complexity that Mellencamp had achieved a few years back.
The Bells of Lal by Joe Satriani--Flying in a Blue Dream was the first Satriani Album I ever owned and still contains what I think are some of his truly classic pieces. The Bells of Lal comes in two parts, the first a short intro sort of piece and the second a more traditional Satriani song, with a verse/refrain set up. Satrini doesn't go for the all out bravado of a guitar hero, but this piece has some of his classic musicianship, and remains one of my all time favorites.
Look Where We Are by Hoobastank--It may be hard to categorize Hoobastank in a genre, but I love their rocking sound and this song is somewhat typical of a piece or two on each of their CDs, an optimistic outlook on life. I guess that is what I like, they are not pessimistic rockers.
Sultans of Swing by Dire Straits--a classic, it really is as simple as that. The lyrics tell a great story and Mark Knopfler's finger picking style of guitar playing knows no equal on this song and probably have never been surpassed. Here is an old video.
Paloma by Carbon Leaf--the Irish influenced rockers from central Virginia prove they have mad song writing skills with this one. Amazing lyrics and turns of phrases, complex rythmns and licks make the lyrical melody all the more amazing. Truly one of the best songs they have ever penned.
But Anyway by Blues Traveler--fast paced lyrics with a sense of humor and the blasting of guitar and harmonica, classic John Popper. Great BT stuff and still a fun song.
Keeping the Faith by Billy Joel (Live version). This song, and Scences From An Italian Restaurant are far and away my favorite Joel songs, way more than Piano Man. Keeping the Faith is an autobiographical anthem to the past and present and being comfortable with yourself. Joel wasn't always that way, but he seems to have learned his lessons and we could learn a thing or two as well.
Fuego by Bond--four hotties who can play the classical string quartet in a way your grandma wouldn't believe. Fuego is a spanish tinged piece with a great deal of pace and presents well. Not their greatest work, but the one I like most.
Reel Around the Sun by Twelve Girls Band--nothing like classical Chinese instrument playing women playing a classic Irish Tune. Close your eyes and you can see the Riverdancers. As usual, this is well done and neat to listen to.
Where the Streets Have No Name by U2--If the album War made them household names, the Joshua Tree vaulted U2 into the realm of one of the greatest bands ever. I loved this opening song on the CD then and I still do. I love the guitar work, particularly at the start but all throughout the song. The lyrics were solid and the muscianship is probably the best on the entire album populated with great songs.
Walk Tall by John Mellencamp--this was one of the original songs to appear on Words & Music and like many of Mellencamp's songs, carries a strong message. "The simple-minded and uninformed can easily be led astray...People believe what they want to believe when it makes no sense at all..." The music is much more simplified, stripped down to basics, which has a strong appeal given the complexity that Mellencamp had achieved a few years back.
The Bells of Lal by Joe Satriani--Flying in a Blue Dream was the first Satriani Album I ever owned and still contains what I think are some of his truly classic pieces. The Bells of Lal comes in two parts, the first a short intro sort of piece and the second a more traditional Satriani song, with a verse/refrain set up. Satrini doesn't go for the all out bravado of a guitar hero, but this piece has some of his classic musicianship, and remains one of my all time favorites.
Look Where We Are by Hoobastank--It may be hard to categorize Hoobastank in a genre, but I love their rocking sound and this song is somewhat typical of a piece or two on each of their CDs, an optimistic outlook on life. I guess that is what I like, they are not pessimistic rockers.
Sultans of Swing by Dire Straits--a classic, it really is as simple as that. The lyrics tell a great story and Mark Knopfler's finger picking style of guitar playing knows no equal on this song and probably have never been surpassed. Here is an old video.
Paloma by Carbon Leaf--the Irish influenced rockers from central Virginia prove they have mad song writing skills with this one. Amazing lyrics and turns of phrases, complex rythmns and licks make the lyrical melody all the more amazing. Truly one of the best songs they have ever penned.
But Anyway by Blues Traveler--fast paced lyrics with a sense of humor and the blasting of guitar and harmonica, classic John Popper. Great BT stuff and still a fun song.
Keeping the Faith by Billy Joel (Live version). This song, and Scences From An Italian Restaurant are far and away my favorite Joel songs, way more than Piano Man. Keeping the Faith is an autobiographical anthem to the past and present and being comfortable with yourself. Joel wasn't always that way, but he seems to have learned his lessons and we could learn a thing or two as well.
Fuego by Bond--four hotties who can play the classical string quartet in a way your grandma wouldn't believe. Fuego is a spanish tinged piece with a great deal of pace and presents well. Not their greatest work, but the one I like most.
Friday, May 16, 2008
May 15 Playlist
1. Someone That You're With by Nickelback. A real stalker song, but the guitar riff also appeals to me.
2. I Write Sins Not Tragedies by Panic At The Disco! The song titles have nothing to do with the song, which in this case, like most Panic songs, have nifty turns of phrases that appeal lyrically. The underlying music has a certain cleverness, but doesn't really match the lyrical cleverness. Still a quality song.
3. December 1963 (Oh What A Night) by Return 2 Zero. This a capella cover is fantastic and takes a generally classic song and just tweaks it a little. The best part about the a capella version is that you can hear the lyrics and see why this song just appeals to people.
4. Show Don't Tell (Live) by Rush. Rush have been making music forever it seems. This song, off one of their many live collections from the 1989 album Presto song and released on the live Album Different Stages Live, but like all Rush songs, the lyrics by Neil Peart are outstanding.
5. Slowloud by Slackjaw. Slackjaw was a band I first heard on a road trip with my fraternity brothers from University of Virginia. The band was great, with a great drummer, and solid musicianship. But sadly, they never made nearly as big as that other big Charlottesville group, the Dave Matthews Band. I just liked the title to this song, although it is not one of their best.
6. It's Probably Me by Sting. Aside from maybe Fortress Around Your Heart, this jazzy feeling song by Sting is probably my favority by him as a soloist. I have long felt drawn to the powers of friendship and this is a song about unfailing friendship.
7. Leyenda by Vanessa Mae. A violin prodigy, Vanessa Mae has made both traditional classical albums and the sort of classical/pop crossovers with different influences. Leyenda has a spanish feel, with a great classical guitar segment.
8. One Robot's Dream by Joe Satriani. I have long been a Satriani fan and the underlying hook in this song just holds my attention. One thing about Satriani that is different is that his songs, although largely instrumental, have a real vocal feel to them, with stanzas, a refrain and often a bridge. Despite the guitar focus, Satriani doesn't just fill this song with lots of fret work, but still a good demonstration of his abilities.
9. Diamonds and Coal by Incubus. A sort of mellow song for them, almost a ballad, but not nearly as slow as a "power ballad." Not the best song on Light Grenades, but a solid effort that simply hooks me in.
10. I'm Goin' Home by Hootie and the Blowfish. Again, nothing wrong with Hootie, but this one is included because my oldest daughter, the Peanut, likes it.
2. I Write Sins Not Tragedies by Panic At The Disco! The song titles have nothing to do with the song, which in this case, like most Panic songs, have nifty turns of phrases that appeal lyrically. The underlying music has a certain cleverness, but doesn't really match the lyrical cleverness. Still a quality song.
3. December 1963 (Oh What A Night) by Return 2 Zero. This a capella cover is fantastic and takes a generally classic song and just tweaks it a little. The best part about the a capella version is that you can hear the lyrics and see why this song just appeals to people.
4. Show Don't Tell (Live) by Rush. Rush have been making music forever it seems. This song, off one of their many live collections from the 1989 album Presto song and released on the live Album Different Stages Live, but like all Rush songs, the lyrics by Neil Peart are outstanding.
5. Slowloud by Slackjaw. Slackjaw was a band I first heard on a road trip with my fraternity brothers from University of Virginia. The band was great, with a great drummer, and solid musicianship. But sadly, they never made nearly as big as that other big Charlottesville group, the Dave Matthews Band. I just liked the title to this song, although it is not one of their best.
6. It's Probably Me by Sting. Aside from maybe Fortress Around Your Heart, this jazzy feeling song by Sting is probably my favority by him as a soloist. I have long felt drawn to the powers of friendship and this is a song about unfailing friendship.
7. Leyenda by Vanessa Mae. A violin prodigy, Vanessa Mae has made both traditional classical albums and the sort of classical/pop crossovers with different influences. Leyenda has a spanish feel, with a great classical guitar segment.
8. One Robot's Dream by Joe Satriani. I have long been a Satriani fan and the underlying hook in this song just holds my attention. One thing about Satriani that is different is that his songs, although largely instrumental, have a real vocal feel to them, with stanzas, a refrain and often a bridge. Despite the guitar focus, Satriani doesn't just fill this song with lots of fret work, but still a good demonstration of his abilities.
9. Diamonds and Coal by Incubus. A sort of mellow song for them, almost a ballad, but not nearly as slow as a "power ballad." Not the best song on Light Grenades, but a solid effort that simply hooks me in.
10. I'm Goin' Home by Hootie and the Blowfish. Again, nothing wrong with Hootie, but this one is included because my oldest daughter, the Peanut, likes it.
Thursday, May 08, 2008
May 8 Playlist
This week's playlist on my I-Pod is comprised of the following:
1. Sultans of Swing by Dire Straits. Classic song about music and bands. Mark Knofler's guitar work is amazing and I have always loved the guitar outro.
2. Barracuda by Heart (Live Version). I have always loved this song, it is a rocker with fantastic lyrics. Ann Wilson's singing in this version is powerful as always, but for some reason the guitar work in the background just carried more punch.
3. Frontin' by Jamie Cullum. This was a bonus track on Cullum's first album and is easily one of the three best songs he has ever recorded and released. Great music, solid lyrics and a fun, sexy feel make the song terrrific.
4. Key West Intermezzo (I Saw You First) by John Mellencamp. An optimisitc love song with one of my favorite lines of all time "A loud Cuban band is crucifying John Lennon."
5. After the Rain Has Fallen by Sting. Off the Brand New Day Album, this slightly faster paced song's refrain is often heard, but it the rest of the lyrics are about a theif who steals money, jewels and a princess in his late night raid. Great story song.
6. Clocks by Twelve Girls Band. This cover of the Coldplay classic is all instrumental and sounds amazing. The fact that this groups can use traditional Chinese instruments to recreate a piano sound is wonderful.
7. Citizen Soldier by 3 Doors Down. My new absolute favorite song. An unabashed tribute to the military men and women who protect us for the ugliness of the world and keep us safe. Get this song and listen to it.
8. This is My Song by Carbon Leaf. Clever lyrics about hope, luck and love as if they are real people. Great Irish/Celtic feel to the music, just a fund song.
9. Brother John by Blues Traveler. Another great Blues Traveler song that isn't on the high list of their most popular songs. Solid lyrics and a kind of jammy beat.
10. Love in An Elevator by Aerosmith. Thinly disguised and out right sexual references in a rocking song that I am surprised even made it to radio. Fun song, that while not Aerosmith's best, is still a classic.
1. Sultans of Swing by Dire Straits. Classic song about music and bands. Mark Knofler's guitar work is amazing and I have always loved the guitar outro.
2. Barracuda by Heart (Live Version). I have always loved this song, it is a rocker with fantastic lyrics. Ann Wilson's singing in this version is powerful as always, but for some reason the guitar work in the background just carried more punch.
3. Frontin' by Jamie Cullum. This was a bonus track on Cullum's first album and is easily one of the three best songs he has ever recorded and released. Great music, solid lyrics and a fun, sexy feel make the song terrrific.
4. Key West Intermezzo (I Saw You First) by John Mellencamp. An optimisitc love song with one of my favorite lines of all time "A loud Cuban band is crucifying John Lennon."
5. After the Rain Has Fallen by Sting. Off the Brand New Day Album, this slightly faster paced song's refrain is often heard, but it the rest of the lyrics are about a theif who steals money, jewels and a princess in his late night raid. Great story song.
6. Clocks by Twelve Girls Band. This cover of the Coldplay classic is all instrumental and sounds amazing. The fact that this groups can use traditional Chinese instruments to recreate a piano sound is wonderful.
7. Citizen Soldier by 3 Doors Down. My new absolute favorite song. An unabashed tribute to the military men and women who protect us for the ugliness of the world and keep us safe. Get this song and listen to it.
8. This is My Song by Carbon Leaf. Clever lyrics about hope, luck and love as if they are real people. Great Irish/Celtic feel to the music, just a fund song.
9. Brother John by Blues Traveler. Another great Blues Traveler song that isn't on the high list of their most popular songs. Solid lyrics and a kind of jammy beat.
10. Love in An Elevator by Aerosmith. Thinly disguised and out right sexual references in a rocking song that I am surprised even made it to radio. Fun song, that while not Aerosmith's best, is still a classic.
Thursday, May 01, 2008
Music this Week
When it comes to differnt things that I enjoy doing with my limited spare time, music is one of my passions. I cannot play an instrument, I can probably carry a tune only if I had a good sized bucket and I have (at least B.C.--before children) spent many a summer night at Nissan Pavilion or Merriweather Post pavilion in the DC area attending concerts. A few years ago in an 8 day stretch, my wife and I saw 4 different concerts at Nissan Pavilion. Were it not for the need to go to work, it would have been easier to just camp in the parking lot.
Every once in a while, I will get an email about what I am listening too since I don't keep up with updating the left hand column as frequently as I probably should. Like many people, I have an iPod that I update pretty frequently. but most of my friends wonder how I come to listen the music I choose. To be honest, I don't have a good answer other than to say that I like to listen to just about anything--exept gangsta rap--which I generally find to be without any redeeming quality. Even some of the worst pop music out there has something going for it, if only a hook or melody line, but I have never understood the "artistic" appeal of hard core rap.
Having said that, I have a habit of putting together a Weekly play list for my iPod, 10 songs that I will listen to a great deal in that week, perhaps not exclusively, but regularly. Here is this week's list and I will try to post them regularly.
1. Pipe Dreams by Animusic. Animusic is a wonderful production that involves creating pieces of animation with music and different animated instruments. I saw it on PBS one time and immediately bought the DVDs and CDs. Neat stuff and some really good music.
2. The Downeaster "Alexa" by Billy Joel--I have always liked this Billy Joel song. Musically it is not his best work, but lyrically it has a sad sort of pride in his family roots that cannot be dismissed.
3. Kashmir by Bond. This cover of the great Led Zeppelin classic I thought was simply audacious. The classical quartet gets the backing hook just right, but I would have liked to have the melody line a little more prominent. But still, very cool.
4. Grey Street by Dave Mathews Band. I like the music, I love the lyrics. One of the things about DMB that I have always loved is the rhythms that drummer Carter Beauford puts down. This song is no exception.
5. Departure Bay by Diann Krall. Her album "The Girl in the Other Room" is a wonderful piece of production and Krall's smooth voice is always wonderful to listen to. Departure Bay is a quiet, wistful and vision filled song that closes the album out. I could listen to this song over and over and never get tired of it.
6. I'm Goin' Home by Hootie and the Blowfish. Yeah, pretty old school I know. But while a lot of people dissed Hootie, they made music that people like listening to and there is nothing wrong with that.
7. Back in Time by Huey Lewis & the News. Good old fashioned rock and roll by a band that acts and plays like they are in it just for the fun of it. Although a soundtrack song for Back to the Future, the song is just so much fun.
8. Crowd Chant by Joe Satriani. I have always liked Joe Satriani since I first heard him back in teh early 1990's. This song is a riff on the old "call and repeat" crowd game that a lot of bands and artists like Satriani himself does. What is amazing is in the liner notes he explains how he made 30 people sound like 300--record their chant with 10 different microphones in 10 different locations in the studio. Neat trick and a fun song.
9. Put Your Hands on Me by Joss Stone. Sexy soul--it is a simple as that. Amazing that such a young woman can have such a big voice.
10. Breath by Pearl Jam. Nobody did angst better than Eddie Vedder an the boys of Pearl Jam, at this song has a little bit of that present, but I think one of the best parts of this song is that it is kind of the beggining point of their evolution away from their angst driven days. Good lyrics and great guitar hook.
That is this week's play list.
Every once in a while, I will get an email about what I am listening too since I don't keep up with updating the left hand column as frequently as I probably should. Like many people, I have an iPod that I update pretty frequently. but most of my friends wonder how I come to listen the music I choose. To be honest, I don't have a good answer other than to say that I like to listen to just about anything--exept gangsta rap--which I generally find to be without any redeeming quality. Even some of the worst pop music out there has something going for it, if only a hook or melody line, but I have never understood the "artistic" appeal of hard core rap.
Having said that, I have a habit of putting together a Weekly play list for my iPod, 10 songs that I will listen to a great deal in that week, perhaps not exclusively, but regularly. Here is this week's list and I will try to post them regularly.
1. Pipe Dreams by Animusic. Animusic is a wonderful production that involves creating pieces of animation with music and different animated instruments. I saw it on PBS one time and immediately bought the DVDs and CDs. Neat stuff and some really good music.
2. The Downeaster "Alexa" by Billy Joel--I have always liked this Billy Joel song. Musically it is not his best work, but lyrically it has a sad sort of pride in his family roots that cannot be dismissed.
3. Kashmir by Bond. This cover of the great Led Zeppelin classic I thought was simply audacious. The classical quartet gets the backing hook just right, but I would have liked to have the melody line a little more prominent. But still, very cool.
4. Grey Street by Dave Mathews Band. I like the music, I love the lyrics. One of the things about DMB that I have always loved is the rhythms that drummer Carter Beauford puts down. This song is no exception.
5. Departure Bay by Diann Krall. Her album "The Girl in the Other Room" is a wonderful piece of production and Krall's smooth voice is always wonderful to listen to. Departure Bay is a quiet, wistful and vision filled song that closes the album out. I could listen to this song over and over and never get tired of it.
6. I'm Goin' Home by Hootie and the Blowfish. Yeah, pretty old school I know. But while a lot of people dissed Hootie, they made music that people like listening to and there is nothing wrong with that.
7. Back in Time by Huey Lewis & the News. Good old fashioned rock and roll by a band that acts and plays like they are in it just for the fun of it. Although a soundtrack song for Back to the Future, the song is just so much fun.
8. Crowd Chant by Joe Satriani. I have always liked Joe Satriani since I first heard him back in teh early 1990's. This song is a riff on the old "call and repeat" crowd game that a lot of bands and artists like Satriani himself does. What is amazing is in the liner notes he explains how he made 30 people sound like 300--record their chant with 10 different microphones in 10 different locations in the studio. Neat trick and a fun song.
9. Put Your Hands on Me by Joss Stone. Sexy soul--it is a simple as that. Amazing that such a young woman can have such a big voice.
10. Breath by Pearl Jam. Nobody did angst better than Eddie Vedder an the boys of Pearl Jam, at this song has a little bit of that present, but I think one of the best parts of this song is that it is kind of the beggining point of their evolution away from their angst driven days. Good lyrics and great guitar hook.
That is this week's play list.
Tuesday, February 19, 2008
Could Obama Be Added to This Song By Living Colour?
Living Colour-Cult Of Personality. It already includes Mussoulini, Kennedy, and others.
I still love this song and it has always resided on my iPod.
Note (3/4/08): I fixed the title of the post.
I still love this song and it has always resided on my iPod.
Note (3/4/08): I fixed the title of the post.
Thursday, January 17, 2008
Music Review: Introducing Joss Stone
The oddest thing about Joss Stone's third CD is the title, Introducing Joss Stone. Well forgive me for being obtuse, but Stone released two other disks a 2003 effort with covers of obscure soul sounds and 2004's Mind, Body & Soul. Now the three years since Mind, Body & Soul might account for the oddly titled third album, but as Stone's bio proclaims, this thrid disk is the first where she is truly her.
At any rate, the time between Stone's disks probably allowed her to produce a much more solid effort, as Introducing is as strong, and in parts, much stronger an effort than Mind, Body & Soul. Stone writes all but one of the musical tracks on the newest disk, only Diane Warren's "Bruised but Not Broken." Stone penned the rest herself.
To be sure, the young Briton's soul music captures the ear and gets the listener into the groove quickly. After a spoken word intro track, the diks launches into two of the stronger tracks on the disk, "Girl They Won't Believe It" and "Headturner." The tracks are the type of soul infused music that Stone fans have come to expect. While the staccato of the verses of "Girl" can be a little distracting the power of the chorus and the 1960's era girl-group feel more than makes up for the minor annoyance.
"Headturner," though is pure power and soul from Stone. Perhaps the strongest track on the disk, there is no denying the power of beat, the groove and Stone's voice. The husky tone of verses doesn't hide the power of Stone's voice and when she and her back up singers cut loose on the chorus, you can't help but feel the groove.
"Headturner" along with "Put Your Hands on Me" also gives an insight into the growing up Stone has undergone since her adolescent debut. There is an implicit understanding that Stone, as a woman, can turn heads and can seek out lovers without being beholden to anyone else. In a sense the song is much more liberating than the overtly sexual songs of some of her American contemporaries. "Put Your Hands" is certainly more overtly sexual, but it is that way without being so in your face with references.
Stone, who possesses a powerful voice, sometimes tries to tame the voice, making it a bit more ballad-esque in tone and volume, for example on "Proper Nice." It is in these points that album feels a little flat. The appeal, at least for me, of Stone is the power of her voice. While mixing up the form of songs, she should not hide the force of her voice. Even with a simple piano arrangment, Stone should let her voice loose and literally smack people on the head.
Still, if Stone can offer some musical options while not covering her voice, I can forsee a very long career for the songstress.
Now for the top three:
"Headturner," as you might imagine. I think this to be the strongest cut on the disk. It is pure soul power and the groove and backing vocals are stellar.
"Music" is a collaboration between Stone and the now less heard from Lauryn Hill. The groove is infectious and the combination of Hill and Stone make the track memorable.
"Put Your Hands On Me"--another soulful classic. Stone lets loose with the full power of her voice and womanhood. It makes me actually want to do what she asks--if I didn't feel like a dirty old man doing so.
At any rate, the time between Stone's disks probably allowed her to produce a much more solid effort, as Introducing is as strong, and in parts, much stronger an effort than Mind, Body & Soul. Stone writes all but one of the musical tracks on the newest disk, only Diane Warren's "Bruised but Not Broken." Stone penned the rest herself.
To be sure, the young Briton's soul music captures the ear and gets the listener into the groove quickly. After a spoken word intro track, the diks launches into two of the stronger tracks on the disk, "Girl They Won't Believe It" and "Headturner." The tracks are the type of soul infused music that Stone fans have come to expect. While the staccato of the verses of "Girl" can be a little distracting the power of the chorus and the 1960's era girl-group feel more than makes up for the minor annoyance.
"Headturner," though is pure power and soul from Stone. Perhaps the strongest track on the disk, there is no denying the power of beat, the groove and Stone's voice. The husky tone of verses doesn't hide the power of Stone's voice and when she and her back up singers cut loose on the chorus, you can't help but feel the groove.
"Headturner" along with "Put Your Hands on Me" also gives an insight into the growing up Stone has undergone since her adolescent debut. There is an implicit understanding that Stone, as a woman, can turn heads and can seek out lovers without being beholden to anyone else. In a sense the song is much more liberating than the overtly sexual songs of some of her American contemporaries. "Put Your Hands" is certainly more overtly sexual, but it is that way without being so in your face with references.
Stone, who possesses a powerful voice, sometimes tries to tame the voice, making it a bit more ballad-esque in tone and volume, for example on "Proper Nice." It is in these points that album feels a little flat. The appeal, at least for me, of Stone is the power of her voice. While mixing up the form of songs, she should not hide the force of her voice. Even with a simple piano arrangment, Stone should let her voice loose and literally smack people on the head.
Still, if Stone can offer some musical options while not covering her voice, I can forsee a very long career for the songstress.
Now for the top three:
"Headturner," as you might imagine. I think this to be the strongest cut on the disk. It is pure soul power and the groove and backing vocals are stellar.
"Music" is a collaboration between Stone and the now less heard from Lauryn Hill. The groove is infectious and the combination of Hill and Stone make the track memorable.
"Put Your Hands On Me"--another soulful classic. Stone lets loose with the full power of her voice and womanhood. It makes me actually want to do what she asks--if I didn't feel like a dirty old man doing so.
Monday, December 31, 2007
Music Review: Browns in Blue by The 5 Browns
A while back I posted a review on The 5 Browns, five piano playing siblings with loads of talent and a penchant for classical music. Since that time, the three sisters and two brothers have expanded their appeal and their range. Their youth, and attractiveness, have made them something of a star attraction among a younger crowd, allowing young people the experience of classical music, and make no mistake, The 5 Browns are not your grandad's version of classical musicians.
Yet, there is no denying their talent. Having a piano duet is hard enough as most pianists will tell you, but having five people playing different, overlapping parts of the same piece of music is amazing.
The latest from The 5 Browns is Browns in Blue, a disc with jazz inspired piano music that reinforces their skill with a little different attitude. As with their previous albums, the disc offers solo pieces and various combinations of duets and other arrangements, including their trademark five-part arrangements.
What impresses me most about this disc is not the selection of the pieces presented but rather the ability of the artists themselves to render the mood of the piece. For example, Ryan Brown's performance on Astor Piazzolia's Retrato de Alfredo Gobbi from History of the Tango, exudes the sometimes frenetic passion of the tango, but also displays the precision of the dance as well. That the tango and Ryan's playing, can convey both is a testament to the music and muscicianship.
Lacking a clear, note by note comparison, it may be hard to judge this statement, but each piece, even the truly "classical" works by Rachmaninoff, Schubert and Debussy, have a jazzy overlay, not necessarily a improvised note or sequence, but just a feel of something a little different. One would expect such a feel from Gershwin or even the newly commissioned work by John Novacek, but not from Brahms.
The Browns included three guest artists on this disc. Violinist Gil Shaham, unknown to me until now, trumpeter Chris Botti and Dean Martin. Each of the guests provides an addition to the music and depsite being featured, fails to overshadow the piano work. Shaham teamed with Deondra and Desirae Brown on Saint-Saens' Carnival of the Animals, but it is not my favorite piece. The piece is short, barely three minutes and just as you feel immersed in the work, it ends. Although the Piazzolia selection is just one second longer, it feels more complete than Saint Saens.
Now, I like Gershwin and have not come across a piece of his music that I didn't like. But the 5 Browns and Chris Botti teaming up on Home Blues from An American in Paris, is simply stunning. (Check out the video here).Even with Botti's strong trumpet in the foreground, you can't miss the complex piano arrangements in the background. The piece is classical/jazz/blues defined.
John Novacek, who created Reflections on Shenandoah for this CD, has a wonderful description of both the history and meaning behind tracscription, arrangement and working in a multiple piano setting in Music Notes on the 5 Browns's Website. Also included on that page is a description of how Dean Martin's "Everybody Loves Somebody" came to be included on Browns In Blue.
Music, as an artform, is in part original and in part derivative. While the 5 Browns are not writing their own music (yet), there is no doubt that their "derivative" portion of their artistry provides a new sound to older works. What seems to be captivating audiences is the diverting combination of youth, skill and the fact that they appear and sound like they are having fun. As the New York Post wrote after their debut in 2005, "When these kids do Rachmaninoff, they'll make you forget about Marshall amps.” Well, you may not forget entirely about Marshall Amps (I don't), it is easy to see and hear why the 5 Browns are packing arenas and winning converts--they make classical music "listen-able" and present it without all the stuffy tuxedos and formal presentation. Classical music, just as Browns in Blue shows, can have a fun, jazzy and yes cool side.
Yet, there is no denying their talent. Having a piano duet is hard enough as most pianists will tell you, but having five people playing different, overlapping parts of the same piece of music is amazing.
The latest from The 5 Browns is Browns in Blue, a disc with jazz inspired piano music that reinforces their skill with a little different attitude. As with their previous albums, the disc offers solo pieces and various combinations of duets and other arrangements, including their trademark five-part arrangements.
What impresses me most about this disc is not the selection of the pieces presented but rather the ability of the artists themselves to render the mood of the piece. For example, Ryan Brown's performance on Astor Piazzolia's Retrato de Alfredo Gobbi from History of the Tango, exudes the sometimes frenetic passion of the tango, but also displays the precision of the dance as well. That the tango and Ryan's playing, can convey both is a testament to the music and muscicianship.
Lacking a clear, note by note comparison, it may be hard to judge this statement, but each piece, even the truly "classical" works by Rachmaninoff, Schubert and Debussy, have a jazzy overlay, not necessarily a improvised note or sequence, but just a feel of something a little different. One would expect such a feel from Gershwin or even the newly commissioned work by John Novacek, but not from Brahms.
The Browns included three guest artists on this disc. Violinist Gil Shaham, unknown to me until now, trumpeter Chris Botti and Dean Martin. Each of the guests provides an addition to the music and depsite being featured, fails to overshadow the piano work. Shaham teamed with Deondra and Desirae Brown on Saint-Saens' Carnival of the Animals, but it is not my favorite piece. The piece is short, barely three minutes and just as you feel immersed in the work, it ends. Although the Piazzolia selection is just one second longer, it feels more complete than Saint Saens.
Now, I like Gershwin and have not come across a piece of his music that I didn't like. But the 5 Browns and Chris Botti teaming up on Home Blues from An American in Paris, is simply stunning. (Check out the video here).Even with Botti's strong trumpet in the foreground, you can't miss the complex piano arrangements in the background. The piece is classical/jazz/blues defined.
John Novacek, who created Reflections on Shenandoah for this CD, has a wonderful description of both the history and meaning behind tracscription, arrangement and working in a multiple piano setting in Music Notes on the 5 Browns's Website. Also included on that page is a description of how Dean Martin's "Everybody Loves Somebody" came to be included on Browns In Blue.
Music, as an artform, is in part original and in part derivative. While the 5 Browns are not writing their own music (yet), there is no doubt that their "derivative" portion of their artistry provides a new sound to older works. What seems to be captivating audiences is the diverting combination of youth, skill and the fact that they appear and sound like they are having fun. As the New York Post wrote after their debut in 2005, "When these kids do Rachmaninoff, they'll make you forget about Marshall amps.” Well, you may not forget entirely about Marshall Amps (I don't), it is easy to see and hear why the 5 Browns are packing arenas and winning converts--they make classical music "listen-able" and present it without all the stuffy tuxedos and formal presentation. Classical music, just as Browns in Blue shows, can have a fun, jazzy and yes cool side.
Monday, March 12, 2007
Richard Jeni and Brad Delp
This weekend saw two performers I have enjoyed die.
Richard Jeni, a comedian whose performances usually had me laughing from about 1 minute into his show until hours aferward, died in an apparent suicide, although there has been no official ruling on the case. If you get a chance to see his HBO show, "The Platypus Man", get and be prepared to laugh.
Also, Brad Delp, the lead singer for the band Boston, died of unknown causes over the weeked as well. Delp's vocals, layered over complex guitar riffs by bandmate Tom Scholz, made Boston one of the best acts of the 70's and 80's. From songs like "More Than A Feeling," "Rock n' Roll Band," "Amanda," and dozens of others, Delp's vocals were a powerful influence on my childhood, when music first became a big part of my life. Here is a brief statement on the band's website.
Richard Jeni, a comedian whose performances usually had me laughing from about 1 minute into his show until hours aferward, died in an apparent suicide, although there has been no official ruling on the case. If you get a chance to see his HBO show, "The Platypus Man", get and be prepared to laugh.
Also, Brad Delp, the lead singer for the band Boston, died of unknown causes over the weeked as well. Delp's vocals, layered over complex guitar riffs by bandmate Tom Scholz, made Boston one of the best acts of the 70's and 80's. From songs like "More Than A Feeling," "Rock n' Roll Band," "Amanda," and dozens of others, Delp's vocals were a powerful influence on my childhood, when music first became a big part of my life. Here is a brief statement on the band's website.
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